Sun. Mar 29th, 2026

New & Noteworthy J-pop of the Week (March 29, 2026)

New & Noteworthy J-pop of the Week (March 29, 2026)


New and Noteworthy J-popIn reference to my need to totally sustain with the J-pop business, I’m planning on doing a weekly round-up of any new releases which have caught my ear. A few of these could have been lined on the weblog already, however my hope is that this can turn into a one-stop store for anybody curious about what’s new in J-pop.

With that in thoughts, right here’s the place you are available in: I’m one individual with one set of musical preferences, so please embed another new J-pop tracks you’ve loved within the feedback so we will get a fuller spectrum every week.


2023-2025 Index

2026 Index: Dec 28 – Jan 3 // Jan 4 – Jan 10 // Jan 11 – Jan 17 // Jan 18 – Jan 24 // Jan 25 – Jan 31 // Feb 1 – Feb 7 // Feb 8 – Feb 14 // Feb 15 – Feb 21 // Feb 22 – Feb 28 // Mar 1 – Mar 7 // Mar 8 – Mar 21 // Mar 22 – Mar 28



Bestted – Swagger (track of the week!)

I believe that is their greatest single but. It’s loads of upbeat enjoyable (even when the refrain must be developed extra).


Cutie Avenue – Very Good

There are some fascinating instrumental selections right here that don’t fairly meld with the track or efficiency.


Daichi Miura – Really feel So Vivid

Miura’s new sort-of-greatest-hits album (it’s all of his songs made with frequent collaborator UTA) comes with three new tracks. This funky quantity is the most effective of the brand new materials.


DOMOTO – Mata ne

Not one in every of their stronger songs, but it surely meets expectations.


DXTEEN – Spring Love

That is mainly like their final single (it even retains The Wind’s manufacturing staff!) however not practically nearly as good/catchy.


=LOVE – Moratoriamu

This has a candy lady group sound that ought to enchantment to followers of Ok-pop teams like Lovelyz and early GFriend.


HANA – Dangerous Woman

I truly want their rock-influenced sound, as if works surprisingly properly for them. This isn’t nearly as good as Chilly Evening, but it surely’s good.


HiiT FACTORY – Keep Me Now (track of the week!)

I imply, this track has been out since final fall, however J-pop’s giving us so little nowadays that I’m blissful to highlight one other nice observe by HiiT Manufacturing unit.


King & Prince – Waltz For Lily

An honest ballad.


MAZZEL – Get Up And Dance

Properly, I approve of the title! The track is certainly dancey, however in the end too generic to supply a lot endurance. There are some cool rhythm guitar moments, although.


m-flo loves Diggy-MO’ & Ryosuke Shinoda – GateWay

Value it for the music video, actually.


Miyase Ryubi – SUPER!!

I just like the gritty manufacturing. The track itself isn’t a lot to put in writing house about.


NOA – Say Sure (track of the week!)

Good bassline and I like how the refrain accelerates fairly than pulling again.


Nogizaka46 – Aitteurayamashii

Undoubtedly one in every of their extra upbeat singles.


OrβIT – Line Me Now

I wrote about this earlier and now it has a music video. And as I suspected, it is in regards to the messaging app.


Re:inc. – LITM (Stay In The Second)

A straightforward, breezy new jack swing observe won’t ever go amiss.


ROIROM – Gown Code

Somewhat too boring for me.


Snow Man – BANG!!

I miss once I beloved Snow Man’s music. That is positive, however the refrain is mainly simply melodic shouting. I can’t assist however lose curiosity fairly shortly.


STU48 – Lemon To Lemon

I benefit from the sprightliness of this, even when it’s fairly light-weight.


Taisho Maeda – Love Is A Maze

There’s loads of potential right here. It’s not fairly there for me, however I just like the theatrical nature of the track.


UVERworld – Ever

It is a fairly good energy ballad, however the heavy-handed vocal results shortly develop tiresome.


Zavage – Numa! Joutou

The foolish band title introduced me in, however the track itself is fairly good too.

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