I’ve listed my “prime tens” for a lot of artists, nevertheless it’s time to rummage by whole discographies and rank each single from worst to greatest. This characteristic will primarily sort out teams who’ve disbanded or gone on indefinite hiatus. It’s a approach for me to re-evaluate my preliminary ideas on their singles run. Don’t be shocked if the order has modified from previous countdowns. This stuff are all the time in flux!
READ OTHER “RANKING EVERY SINGLE” FEATURES HERE!
17. Wow Warfare Tonight (2016)
I’m placing this on the backside not as a result of it’s a nasty tune (it’s an incredible basic, truly), however as a result of it’s been lined by one million J-pop acts already and AOA’s model doesn’t actually do something new with it. (full assessment)
16. I’m Jelly Child (AOA Cream) (2016)
I used to be overly harsh on this when it was launched. It’s nonetheless not a favourite, however I like the funky synths and the melodies are nice. (full assessment)
15. Bing Bing (2017)
This appears like a lesser model of different tracks, however its brassy bounce continues to be satisfying. (full assessment)
14. Confused (2013)
This massive brassy sound fits them very effectively.
13. Come See Me (2019)
It is a good EDM banger to ship the group off. It’s not as memorable as their greatest work, however nonetheless embraces the campy enjoyable they had been recognized for. (full assessment)
12. Bingle Bangle (2018)
This chirpy summer time sound is a bit totally different for AOA however consists of sufficient of their musical hallmarks to work effectively. (full assessment)
11. Good Luck (2016)
I like this, nevertheless it appears like a comedown after their wonderful 2014-15 materials. The mini album’s nice, although. (full assessment)
10. Give Me The Love (ft. T.M.Revolution) (2016)
It’s nonetheless loopy to me that AOA collaborated with T.M.Revolution of all individuals. The tune is nice, however ought to be superb given this degree of expertise. (full assessment)
9. Moa (AOA Black) (2013)
Regardless of this being the group’s first “band” launch, it truly sounds nearer to the Courageous Brothers produced pop that may ultimately make them large.
8. Oh Boy (2015)
AOA’s Japanese work maintained lots of the parts that made their Okay-pop releases so profitable and Oh Boy is the strongest instance.
7. Excuse Me (2017)
The swirling, hypnotic refrain is such a profitable hook. (full assessment)
6. Miniskirt (2014)
This was the massive breakout second for AOA and it’s simple to see why. It’s so slinky and addictive. (full assessment)
5. Get Out (2012)
The synths and total manufacturing are tremendous dated, however in a enjoyable approach. Nice melodies assist this stand out.
4. Quick Hair (2014)
At this level, AOA had actually discovered their groove. Quick Hair’s refrain stays certainly one of 2014’s most enduring.
3. Elvis (2012)
That is such a unusual sound, exhibiting the way to completely stability bratty sing-talk with ultra-catchy melodies and thrilling manufacturing. (full assessment)
2. Like A Cat (2014)
What an earworm! I’m unsure any tune has ever captured feline slinkiness higher. The refrain continues to be so addictive at the moment. (full assessment)
1. Coronary heart Assault (2015)
Enjoyable truth: that is truly my second most-played lady group observe… ever. (Nicely, not less than since I began preserving observe in mid-2015.) That’s how a lot I like it. So far as I’m involved, that is Okay-pop (and Courageous Brothers) perfection.