Sun. Jul 6th, 2025

Joell Ortiz & The Heatmakerz Take Us to “W.A.R. (With All Respect)” [Album Review]


Brooklyn, New York veteran Joell Ortiz is again for his ninth studio LP. Rising after being featured within the Unsigned Hype column of the March 2004 challenge of The Supply Journal, he went on to signal to Aftermath Leisure for a quick time frame earlier than leaving to drop his official debut The Brick: Bodega Chronicles underneath MNRK Music Group. I can also’t neglect to say when Slaughterhouse rose to prominence off their self-titled debut, which led Eminem signing the supergroup to Shady Data a decade in the past already. However sadly, their main label debut welcome to: OUR HOUSE that got here out the following summer season would sadly find yourself being their final & everybody has been doing their very own factor since. 3 years since Autograph nonetheless, The Heatmakerz are leaping behind the boards all through the length of W.A.R. (With All Respect).

“W.A.R. Welcome” that includes I Born begins with a bluesy growth bap instrumental permitting them to open up our minds taking us to warfare with all respect whereas “Mamma Loves Me” strikes ahead with a passionate tribute to his mom, who helped pushed him additional in his music profession. “Fortune 500” retains it 100 by speaking about having 100 much less mates since extra issues emerge the extra money you make, however then “Reaper Man” strips the drums utterly telling the grim reaper he’s taken sufficient.

The atmospherically spacious “So Misplaced” works in additional kicks & snares speaking about feeling misplaced generally as of late simply earlier than “W.A.R. (Fear, Anger, Resentment)” that includes Kinds P peacefully offers due to God since each single considered one of us are in debt to Him. “Think about That” featueing Ransom soulfully flashes again & fast-forwards into the current doing all they dreamed whereas “WAR” that includes M.O.P. returns to the growth bap warning that y’all don’t need beef with them.

“Please” brings the soul vibes again for a ballad devoted to his finest buddy/1 real love & after the “My Childhood” skit, “All of the Years” formally wraps up Yaowa’s first solo effort since H.A.R.D. or the Housing Authority Rap District now not placing out anymore duo tasks with 1 extra drumless banger reminiscing over the family members who can’t be with him in the present day.

I personally desire the Signature remixes that L’Orange did for Autograph although I admire the highlights off the unique model. Nonetheless, W.A.R. (With All Respect) is definitely my favourite of Joell’s since Monday & will arguably go down as among the finest albums that he’s ever made interval. The Heatmakerz’ manufacturing sticks to their signature, soulful growth bap & drumless sound & Yaowa’s performances are higher than the final couple H.A.R.D. efforts.

Rating: 9/10



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