In entrance of us is the seventh studio LP from Las Vegas, Nevada emcee Ouija Macc. Breaking out within the fall of 2017 after the Insane Clown Posse signed him to Psychopathic Information shortly after placing out his debut EP Trashfire independently, Ouija has since confirmed himself because the hatchet’s largest solo act dropping his final 5 full-lengths, 2 best hits compilations, 8 mixtapes & 5 EPs all within the span of practically 7 years. He even began his personal label Chapter 17 Information, with Darby O’Trill is now the one C17 artist apart from Ouija & teaming up with one another 13 month in the past for the superb collab effort Anemoia build up for Darcc Planet to develop into the darccest materials of his profession. 3 months after Psycho Babbel, we entered the Temple of Ash & at the moment are leaving so he can drop Chlorine on us within the midst of him opening throughout ICP’s tour set to finish this weekend alongside Wakko the Child following tapings of the hit Juggalo Championship Wrestling (JCW) webseries JCW Lunacy.
“Creepy Crawler” begins off with a hellish lure intro produced by Devereaux speaking about crawling up on ‘em & stacking up his commas whereas “Miyazaki” pulls from the Memphis scene taking it’s title after the revered スタジオジブリ founder 宮崎 駿. “WICC17 SH17” makes a phat homage to the fashion of music he’s extensively identified for & placing a contemporary enchantment to it for a more recent technology of juggalos whereas “Lil’ Nitemare” walks down the incorrect path deviated by demons.
In the meantime on “Loonatic”, we have now Ouija bringing the presence of a depraved clown proper in entrance of you over a cloudy lure instrumental till the ghostly “By no means That” talks about working with the pack to the cash & by no means wanting again. “Home of 1,000 Doorways” will get in his storytelling bag portraying himself as a recreation present host named after Rob Zombie’s traditional directional debut Home of 1,000 Corpses till “Mr. Fats Balls” drearily talks about being fed up with the bullshit lies.
“Klepto” breaks down his skitzophrenic tendencies on the verge of stealing shit over some pots, pans & hi-hats whereas the chilling “Up It Up” entertainingly throws in bar introducing a brand new nickname for himself mixing his moniker with the title of present Monday Evening RAW commentator, occasional WWE in-ring performer, ESPN’s Faculty GameDay analyst, host of The Pat McAfee Present on ESPN & former Indianapolis Colts kicker Pat McAfee.
Shifting on from there, “Toot Toot” samples “The Loons off ICP’s sophomore effort & the 2nd Joker’s Card Ringmaster going 117mph for the money since he don’t fuck round in relation to that whereas “Imply Muthafucka” exhibits an angrier facet to Ouija warning to get out his face until you wanna see him crash out. “Databass” vividly portrays himself as a intercourse offender who preys for his victims on the web, however then “Demise Lure” that includes Apoc Krysis unloads 17 from the clip.
“Unda Unda” pulls inspiration from the Memphis hip hop scene extra extra mixing that with horrorcore & lure speaking about coming from the underground since Chapter 17/Psychopathic’s complete sound has appealed to that demographic of hip hop tradition birthing it’s personal subculture within the course of & “Would It Be Alright” finishes Chlorine with a lure steel/emo rap hybrid asking if it’s okay if he dies right here tonight.
Ouija’s been calling this the most effective factor he’s ever made for the previous month now & I can’t actually argue with it due to the the entire idea revolving round him at all times being a scrub irrespective of how clear. Devereaux handles many of the manufacturing exhibiting influences of lure, horrorcore, cloud rap, lure steel, emo rap & Memphis hip hop backing the C17 CEO’s name for a juggalo takeover.
Rating: 9/10